This one compared to the previous one may appear somewhat stripped down since Myuu no longer is present, but if anything, I view that as a plus. It’s not any shade on Myuu, but her standing in the background belting out transitions in the massage service may have already taken a theme that was ripping reality at its seams and did away with any semblance of it at all! All, however, is resolved here, in the second and so far only sequel.
